How to DJ

Being a great DJ requires a lot of skills and practice. You have to be good at beatmatching, choosing the right tracks, reading the crowd, being creative with the music, knowing your equipment, scratching and a whole lot of other things. A lot of you are ready and eager to learn all these things, but where do you find direction? That’s why you’re here.

I try hard to explain how to DJ in my tutorials but the truth is that you need more than that. If you want to really be a great DJ, you need to do more than just read my tutorials. You have to watch videos. Reading tutorials will only get you so far – to really learn effectively you need to actually see what I’m talking about, see how to apply these techniques.

Now, you know I have always tried my best to help you learn how to DJ as much as I could. So I got together with some other experienced DJs and we made some videos for you. OVER 7 HOURS OF VIDEOS!

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If you are really serious about being an awesome DJ, get this book. Here’s what you will learn:

• Learn the 3 main mistakes that prevent beginner DJs from developing into Great DJs
• Learn the basic scratching technique from which all other scratches are derived
• Learn how to beatmatch – mix 2 tracks using 2 copies of the same record
• Learn how to mix ANY songs together and have it come out sounding awesome
• Learn the art of beat juggling, also called doubling
• And a LOT more!
  

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Here are a few new videos that were recently added:

• A complete Serato Scratch Live tutorial – over 90 minutes long!
  
• How to get women dancing on the dance floor
• How to prepare your mixes
• How to avoid technical issues
  

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You are now familiar with the basic concept of how to beatmatch and what beatmatching is. But in How to Beatmatch (Part 1) I only talked about beatmatching 2 copies of the same song, and the result didn’t sound that good anyway. Let’s get a little more advanced in Part 2 of How to Beatmatch.

Just like in Part 1, take a duplicate track and put it on both of your decks. On Deck A, cue up the track right before the beat hits. What I mean by this is as follows:

On your CD player there is a Cue button. It lets you pause the track wherever you want and resume it later with the play button. When you are playing a track and you hit the play button to pause it, you hear a stuttering sound. This moment in the track is called a frame and it is a fraction of a second of sound. You can turn the jog wheel to advance or reverse frame by frame. Play around with this so that you get familiar with how to identify what you’re actually hearing by listening to these frames. You should be able to notice the way a drum beat sounds when you hear it in frames. Once you get the hang of it, what you need to do is position the track at the frame right before a drum beat starts to hit. Then press the Cue button and the track will be paused there.

If you are using records, the process is similar. Just stop the record with your hand and move it back and forth to identify the sound of a drum beat hitting. You won’t be able to pause the record there, but keep your hand on it at the point right before the beat hits.

Make sure that your crossfader is in the middle position.

Now, with your other hand, press play on the other deck. Get a feel for the timing of the beat. Tap your free hand to the beat if you want, many DJs find that helpful. When you’re ready, press the play button (or release the track that you had paused with your hand) at the exact moment that a beat is about to hit on the track that is currently playing.

If you did this perfectly, the beats on both tracks should be synchronized and you have pulled off a successful beatmatch. But that’s what happens in a perfect world. In reality you were actually a little off and you’re hearing the galloping I had mentioned in Part 1. No problem, just use the jog wheel (or touch the record) to speed it up a bit and get the beats to match up. Wasn’t that easy?

There you go, you have just learned one of the techniques of how to beatmatch. But you will not often be trying to beatmatch two tracks that are exactly the same speed. In Part 3 of How to Beatmatch I’ll talk about how to beatmatch when your tracks are different speeds, or have different BPMs.

-Mixing DJ

So, let’s learn how to beatmatch.

The most basic thing you could do when starting to learn how to beatmatch is to put the same song on both of your decks. So, depending on if you’re using CD or vinyl, make duplicate CDs or get 2 copies of a record. If you can get one without a lot of vocals and with a clear beat, that will help. Start playing the track on one deck, let’s call it Deck A. Make sure the crossfader on your mixer is in the middle position, or turned off if you have that option. Now, start playing the same track on Deck B. Right away, you will hear that the drum beats are not synchronized. This results in a sound that DJs call a gallop.

Since you are playing the same track on both decks, they should be playing at the same speed. Make sure that the tempo adjustments on your decks are in the same position. Now, speed up or slow down the track on Deck B slightly. Don’t use the tempo slider for this, instead use the actual jog wheel on the CD player, or slow down your record with your finger if you’re using vinyl. Keep doing this until you no longer hear the gallop. At this point your tracks should be synchronized and sound blended together. Since they are playing at the same speed, they should continue to be synchronized for the rest of the time they’re playing. Don’t worry if the actual music sounds bad right now from all of the sounds in the tracks, for now we are just focusing on matching the beats.

Most mixers have a meter that visually shows the level of output on each channel. This is represented in a light bar that jumps up and down with the beat. You could use this to help you make sure that you have pulled off a good beatmatch by checking that the meters on both tracks are jumping at the same time.
Congratulations, you just learned the very basic steps of how to beatmatch. Learn more in my next post, How to Beatmatch (Part 2).

-Mixing DJ

Bonus: The output levels on the mixer are called the Pre-Fade Leveles (PFL). Video explanation of PFL here:
Pre-Fade Levels (PFL) Explained